This month’s MOJO features part 2 of a White Album special that includes
my pieces on “Honey Pie” and “Revolution 9.”
White album 2
C- student

Back when I taught high school English, I’d sometimes call on a student who was unprepared to join a class discussion. He or she hadn’t done the assigned reading or homework. But rather than admit it, the student would usually try to fudge their way through. Peeking at the back cover of a novel, craning to see the keywords on the blackboard behind me, they’d stammer, “Um, I think that this chapter was about identity . . . and like, what happens when man, like, searches for truth . . . and identity . . . in the world . . . you know . . . “
I wasn’t such a sadist that I’d want to expose the kid in front of his classmates, so I’d move on to another student.
Much like Katie Couric probably wished she could’ve done with the clueless student who sat before her this weekend. If you missed it, it’s on YouTube.
Just as the kids in my class all understood that their fellow student was unprepared, I think that people in America recognize the sad and absurd spectacle before their eyes. At least I hope they do.
Of course, the stakes are a lot higher than they were in my high school English class. We’re talking about a vice presidential candidate to a man who is a 72-year old cancer survivor with a Krakatoa temperament, in what may be the most important election of the last hundred years.
Something to consider.
Bond

The theme for the new James Bond movie The Quantum Of Solace was released
this week. “Another Way To Die,” written and performed by Jack White, with Alicia Keys,
starts off promisingly enough, with some raucous spy guitar sparring with horns and strings.
And then the vocals enter.
Yecchh.
Whatever you may think of White and Keys as vocalists, they are not the right agents for this very important musical assignment.
The first problem is that there is no discernible melody for them to sing. It’s just that overused two-note hip-hop rat-a-tat thing that we’ve heard a zillion times. There’s a lot to live up to when it comes to melody in James Bond themes. Composer John Barry set the bar very high with his memorable tunes, from “Thunderball” to “From Russia With Love” to “You Only Live Twice.” Over the years, Paul McCartney upheld the franchise magnificently with “Live and Let Die,” as did Marvin Hamlisch and Carole Bayer Sager with “Nobody Does It Better.” Even Duran Duran (teamed with Barry) kept things rolling nicely with “A View To A Kill.” But even after a few listens, this new one just doesn’t cut it.
If I had to rate it, I’d put it in a tie with “The Living Daylights” by a-ha. That is, for last place.
What’s also puzzling about this record is that it’s difficult to make out all the lyrics. A sloppy mix?
Bad enunciation? Whatever, there is no excuse. C’mon, it’s a Bond theme, for god’s sake. It’s supposed
to be a sleek, bigger than life production. And when it comes to understanding a lyric, you have to think
Shirley Bassey. “They luster on . . . !”
As a lifelong fan of Bond and a huge John Barry fan, I’m feel completely let down by this
new theme. I’m sure that the accompanying graphics will be amazing, and will help distract from the
absence of melody and the cringe-worthy vocal blend between White and Keys. And I’m sure
the film itself will be great. The trailer certainly is.
Poking around online, I see that the reaction to the theme in the Bond fan community seems to be mostly negative, which makes me wonder if there might be a replacement theme. Probably not, but it’s interesting to consider.
It wouldn’t be the first time. Other names who have been rejected for the 007 seal of approval include Dionne Warwick (Thunderball), Aretha Franklin (You Only Live Twice), Alice Cooper (The Man With the Golden Gun) and Blondie (For Your Eyes Only).
While we ponder the fate of “Another Way To Die,” here are my top 5 favorite Bond themes:
“Diamonds Are Forever”
“From Russia With Love”
“Thunderball”
“You Only Live Twice”
“Nobody Does It Better”
And yours?
RCA Studio B

This week, we cut four new songs at RCA Studio B, a historic Nashville room that was once
recording home to Elvis Presley, Roy Orbison, the Everly Brothers and many others. You can
see photos from the sessions here:
Swan Dive in Studio B
Road not taken
I’ve started reading Thomas Friedman’s new book, Hot, Flat and Crowded. Here’s an interesting passage, comparing America’s history of energy consumption with Denmark’s since the early ‘70s:
Contrast this with how one small European country, Denmark, behaved after 1973. “We decided we had to become less dependent on oil,” Connie Hedegaard, Denmark’s minister for climate and energy, explained to me. “We had a huge debate on nuclear, but in 1985 we decided against it. We decided to go instead for energy efficiency and renewable energy. We decided to use taxation, so energy was made relatively expensive and therefore people had an incentive to save and do things in their homes to make them more efficient . . . It was a result of political will.”
Premium gasoline in Denmark in 2008 was about $9 a gallon. On top of that, Denmark has a CO2 tax, which it put in place in the mid-1990s to promote efficiency, even though it had discovered offshore oil by then. “When you get your electricity bill you see your CO2 tax [itemized],” the minister said. Surely all of this killed the Danish economy, right? Guess again. “Since 1981 our economy has grown 70 percent, while our energy consumption has been kept almost flat all those years,” she said. Unemployment is a little less than 2 percent. And Denmark’s early emphasis on solar and wind power, which now provide 16 percent of its total energy consumption, spawned a whole new export industry.
“It has had a positive impact on job creation,” said Hedegaard. “For example, the wind industry – it was nothing in the 1970s. Today, one third of all terrestrial wind turbines in the world come from Denmark. Industry woke up and saw that this is in our interest. To have the first-mover advantage, [when we know] the rest of the world will have to do this, will be to our benefit.” Two of the world’s most innovative manufacturers of enzymes for converting biomass to fuel – Danisco and Novozymes – also come from Denmark. “In 1973 we got 99 percent of our energy from the Middle East,” says Hedegaard. “Today it is zero.” I know: Denmark’s a small country and it is a lot easier to make change there than across a huge economy like ours. Nevertheless, it’s hard to look at Denmark and not see the road not taken.”
Every page of Friedman’s book has these kind of insights.
And what about the road not taken? After a promising period in the US of increased vehicle efficiency from 1976 to 1985, we lost the plot. Reagan rolled the effeciency standards back, slashed the budgets of alternative energy programs, let tax incentives for solar and wind start-ups lapse (several of those companies were bought by Japanese and European firms, who jumpstarted their own renewable industries). Bush the Elder made a few steps in the right direction, then abandoned efforts after the Gulf War. During the Clinton Administration, the three big automakers and the United Auto Workers brought the whole process to a grinding halt. Detroit lobbied the government to label SUVs as “light utility trucks” so they wouldn’t have to meet the 27.5 mpg for cars. Nothing much has changed during the W years . . . actually it has, for the worse. Post 9/11, rather than encouraging us to buckle down, W said, “Go shopping.” And instead of instituting a gas tax, which could’ve helped rebuild our energy and transportation infrastructure, he went for a massive tax cut, making us more dependent on China to finance our defecit and Saudi Arabia for gas. But back to the fuel efficiency thing, in 2007, the standard was ordered up to 35 mpg (where Europe and Japan are already) . . . to take effect by 2020. Twelve years from now! Give me a break. And on the addiction goes. And on the missed opportunities go.
Will the next president have the vision to reverse this losing trend? Not if they say, “Drill, baby, drill.”

