One of my ultimate songwriting fantasies is to write a James Bond theme. “Caprice,” co-written with my secret agent friend David Mead, feels like it could’ve been worthy of a Roger Moore-era entry. Maybe sandwiched between Rita Coolidge and a-ha.
This was another song we recorded live at RCA Studio B, to a 24-track analog machine. Another stellar vocal from Molly, and a creamy string arrangement by Chris Carmichael.